Gelure
About

Gelure.

Two people in Anchorage, Alaska. One cuts the stone. One sets it.

Donovan Bennett-Smith
Donovan Bennett-Smith
Cutting

Donovan Bennett-Smith

Donovan wanted to know how a rough stone becomes a cut one.

That sounds like a small question. It is not one anybody answers for a curious nineteen year old. He had spent his childhood on minerals and crystals already, how they grow and what they grow from, most of it self directed, a lot of it sparked by stones he first saw in video games and cartoons. But the gap between the rough stone and the finished one stayed open.

So he went after it. The machines, the last fifty to a hundred years of the craft, and the technical instructions, which are written for people who already know what they are doing. He taught himself to read them anyway.

At twenty one he bought his own machine. He has been cutting since, sharpening the practice year over year.

Zachary Maheux
Zachary Maheux
Fabrication and setting

Zachary Maheux

Zachary's first stone was not bought. He found it: a raw piece of rose quartz off family property, at fourteen. He grew up around crystals and kept collecting after that one.

By sixteen he was working hemp cord, knot work, and braiding, which turned into wire wrapping almost immediately. That was the craft for years, until the economics broke it. After COVID, materials got expensive enough that wire alone stopped being viable.

So in 2022 he walked into a jewelry shop carrying a case of his own work and said, in so many words, this is what I do, teach me more. Within about three months he was on the bench. Diamonds, sapphires, gold, watch work.

Donovan Bennett-Smith and Zachary Maheux, the two makers behind Gelure

How Gelure started

They met through a mutual friend and a mutual job, then spent years on their own crafts before either of them thought about a business. It did not start with a business plan. One of them saw wire wrapped crystals. The other saw someone trying to cut stone. Zachary started fitting Donovan's cut stones into his own work, and the division of labor that runs the studio now was in place long before the studio was.

A jeweler inspecting a cut stone through a loupe

Two makers, one bench

Your piece passes through two pairs of hands. You will know both of us by name.

A jeweler at the bench working under a microscope

New studio, long practice

Gelure is new. The two people making your piece are not new at this.

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